This resetting for string orchestra has successfully kept the composer's intent, and to a great extent, the sounds and colors of the original orchestration. While requiring some substantial string forces, it's fully approachable by quality high school groups. It consists of five connected movements based on Spanish themes. A terrific addition as a primary work for any concert!

This three-movement suite of Bizet's megahit "Carmen" is carefully arranged to work well with your high school string orchestra. Each movement is musically interesting and preserves the passion of the original score. Use the optional percussion part for added intensity.

This medley of Scottish fiddle tunes is a great way to introduce younger players to the joy of fiddling.  Three classic tunes and meters are featured in this lively selection that will get the toes tapping every time it is performed.

Taken from one of Handel's celebrated keyboard works, this delightful piece is carefully arranged for strings. While offering ample challenges, it is well-suited for teaching a variety of bow strokes and exploring tonal colors.  Each variation changes character and features a different section of the orchestra.

The memorable main melody and countermelody are shared by all sections. Adding the optional floor tom can help maintain a steady tempo and enhance the Native American style. Students will enjoy playing this piece!

From its festive opening rendition of "Angels We Have Heard On High" to a peaceful "Away In a Manger" and a majestic treatment of "O Come, All Ye Faithful," this delightful mini-collection will fill your audience with yuletide cheer! This yearly favorite has been carefully edited and re-engraved to work especially well at your next holiday concert.

Christmas in the Renaissance uses three songs originating during the Renaissance: Riu, Riu, Chiu; Dadme Albricias Hijos d’Eva and Ding, Dong Merrily on High. All three songs began their lives as dances, so the music should be light and energetic. The percussion part adds to the character of the music.

This wonderful arrangement for beginning orchestra combines both Silent Night and The First Noel. Set in D major, it has been arranged so that violin, viola, and cello sections use only the D and A strings, while the bass section uses just the G and D strings. This fundamental arrangement is free of slurs and dotted rhythms yet still retains the spirit and charm of the original carols.

If you are looking for a fresh arrangement of traditional Christmas carols, this unique three-movement work will beautifully showcase all sections of your orchestra. Includes Carol of the Bells; The Holly and the Ivy; God Rest Ye Merry, Gentlemen; We Three Kings; Veni, Veni Emmanuel; Let All Mortal Flesh Keep Silence; Good King Wenceslas and Angels We Have Heard on High.

The title reflects the twelve days from Christmas Day until January 6th. King Wenceslas tells of a good deed done on December 26th, traditionally known as Boxing Day in England.  The other tune, Angels We Have Heard on High, makes use of overlapping music in the chorus to sing "gloria."

Following the rhythmically captivating yet lyrical Giusto movement comes a boisterous and lively Allegro. Both movements are drawn from Handel's celebrated Op. 6 collection and provide opportunities for all players in the ensemble.

A piano concerto in a string orchestra concert? A string quartet in a piano recital?  Absolutely, with this fine collection of four piano solos taken from the standard piano repertoire and orchestrated with string accompaniments.  Piano solos have been kept intact and colorized with classical-sounding accompaniments so that the soloist can play along with the orchestra in minimal rehearsal time.  Lyric counter-melodies and delicate pizz bring out the best in your players.  Includes: Spinning Song (Ellmenreich); Sonatina (Clementi); Minuet in G (Beethoven) and Musette (J.S. Bach).