WINGERT-JONES PUBLICATIONS

Three Dances for Baritone Saxophone and Piano was commissioned by saxophone artist Lynn Klock, a celebrated patron of new music. The choice of baritone saxophone provides a masculine, full-bodied voice for this set of pieces. The movements retain some of the rhythmic character and spirit of their dance names with the addition of a contemporary pitch language and the extended artistry available from modern instruments and performers. Includes: "Quickstep-Romp," a challenging, marchlike movement with a snappy motive contrasted with scale passages; "Air," a graceful, contrasting song in a moderate triple meter; and "Hornpipe-Rondo," a lively dance with a returning refrain that keeps the movement bounding vigorously forward.

Composed for a champion of contemporary music, Lynn Klock, this soloistic piece is relatively brief, but captures the best qualities of the alto saxophone and the artist.  Technical passages add vigor and excitement to a driving piano accompaniment, and soaring melodies give the instrument a chance to sing in the upper register. Moving quickly from lyric to virtuosic, it accelerates to a resounding close that will leave the audience breathless. A consummate closing selection or recital encore.  Duration - 6:00.

Claude Smith composed this Rhapsody in 1971 for Warren Covington, an accomplished trombonist and leader of the Tommy Dorsey Orchestra from 1958-1961.  It represents a remarkably creative and challenging collaboration between two musicians, each at the height of their artistic careers.  Available for the first time in a sparkling edition for trombone and piano, this is unquestionably a significant contribution to the repertoire for the serious trombonist.  A concert band accompaniment is available on rental.

This dazzling solo work was written to display the virtuosic talent of Rich Matteson, perhaps the most uniquely gifted performer on baritone from the 1950s through the 1980s.  Fusing elements of technical mastery and jazz idioms, the work is an absolute tour de force for an accomplished soloist.  Transcribed for solo and piano from the concert band score, this appears for the first time in a stunning edition for use as a recital feature or concert showpiece.  A very accessible concert band accompaniment complements the work and is available on rental.

Drawing inspiration from some of the greatest melodies in music history, composer Todd Harris has fashioned this collection that will quickly become a repertoire favorite among flutists for years to come.  Lyric gems from J.S. Bach to Chopin through Debussy and Faure have been carefully chosen to showcase the expressive qualities of the instrument.  A stellar volume for the soloist, this is made even more appealing with the inclusion of a second flute part from Harris' own hand. These are moments of breathtaking beauty that are welcome in the studio, recital, concert or adjudications for the developing artist.

Accessible student work in four movements that displays the expressive qualities of the flute using mid-20th-century techniques and harmonic structures. Newly edited and revised, it is a fine choice for festivals or adjudications for the developing flutist. Also a fine introduction to the work of this cherished American composer.  Scherzo; Pastorale; Carol and March.

This publication features two solo works for the developing clarinetist featuring accessible music with quite different demands on the soloist.  A lively gigue from C.P.E. Bach is presented in contrast with Walter Hartley's own "Two Little Pieces for Clarinet Solo." A nice recital moment or festival choice for a young artist.  

Composed in 1961 and updated in 2015, this brief fantasia explores the outer reaches of the instrumental duo while still providing an entry point into mature 20th-century modernist language. Accessible and flashy. Two movements: Adagio and Allegro non troppo.

A work in three brief movements that stands as a fine example of the mid-20th-century compositional style. Advanced tonal idioms and harmonic colors in a very succinct, accessible duo. Prelude, Gavotte and Aria.

Clarinet solo with traditional string quartet. Recital selection for the accomplished ensemble. Andante con moto throughout. An early work of enigmatic beauty from Walter Hartley.

A significant work among those of the 20th century. Composed in 1952. Three movements. A newly engraved solo part with a facsimile of the composer score is included in this fine performing edition.

Composed for the American Arts Trio in 1960. A compositional and artistic tour de force in four movements: Allegro alla Marcia; Vivace; Lento and Presto.

Traditional instrumentation includes violin, viola and cello. Newly engraved edition of a massive work that helped to establish Walter Hartley as a prominent voice among his 20th-century peers. Allegro Vivace; Adagio espressivo  and Allegro molto.

A newly engraved performer's edition of this impressive work that includes a facsimile of the original score for the pianist.  A recital centerpiece for the artist and virtuoso.

Composed in 1950, this is a new edition of a landmark work from the young Walter Hartley. It represents a significant accomplishment in the 20th-century repertoire for string quartet. The massive fugue in the third movement is particularly remarkable. I. Allegro Agitato; II. Andante grazioso; III. Allegro Molto.

Facsimile edition. Accompaniment options for either harp or piano.

Vigorous, euphoric work for cello solo with traditional woodwind quintet. Artist caliber throughout with passages of furious activity and expressive lyricism. A concert or recital centerpiece. 1. Allegro alla Marcia;  2. Andante; 3. Scherzo: Molto vivace;  4. Poco lento - Allegro Molto.

Traditional woodwind quintet with string bass. A definitive work from one of the deans of 20th-century American composers.

Published for the first time in 2016, this is a mature Claude Smith work for the capable ensemble, scored for 12-part brass choir and full percussion. It displays a mastery of musical timbres and effects, including muted sounds and trumpet players doubling on cornet and flugelhorn. Flashy, engaging, and typically well crafted, it features the best of brass and percussion writing from a composer whose style is never out of season.

Published in 2016 from an original manuscript, this stately work is scored for four trombones, euphonium and tuba. Presented in two brief movements:  1. Fanfare / Andante and 2. Allegro.  This is an effective yet accessible work for the low brass ensemble with lyric melodies soaring over a driving ostinato, plus a contrasting fugal section that builds to a thrilling finish.

The tuba performer's capabilities with range, flexibility, lyricism and technical mastery are beautifully showcased in this effective work.