WINGERT-JONES PUBLICATIONS

Composed in 1950, this is a new edition of a landmark work from the young Walter Hartley. It represents a significant accomplishment in the 20th-century repertoire for string quartet. The massive fugue in the third movement is particularly remarkable. I. Allegro Agitato; II. Andante grazioso; III. Allegro Molto.

In five movements: Prelude, Sarabande, Pavane, Blues, Rigadoon.

For flute, oboe, Bb clarinet, alto saxophone and trombone. Prelude; Scherzo; Pastorale and Finale.

Accessible student work in four movements that displays the expressive qualities of the flute using mid-20th-century techniques and harmonic structures. Newly edited and revised, it is a fine choice for festivals or adjudications for the developing flutist. Also a fine introduction to the work of this cherished American composer.  Scherzo; Pastorale; Carol and March.

Well within the technical range of capable students. Four movements: Morning Rush; In Jovial Mood; Strolling Home; Relaxing.

Accessible transcription for developing ensembles. Sarabande; Minuet and Polonaise. J.S. Bach's most recognized melody is found in the Minuet.

Three Dances for Baritone Saxophone and Piano was commissioned by saxophone artist Lynn Klock, a celebrated patron of new music. The choice of baritone saxophone provides a masculine, full-bodied voice for this set of pieces. The movements retain some of the rhythmic character and spirit of their dance names with the addition of a contemporary pitch language and the extended artistry available from modern instruments and performers. Includes: "Quickstep-Romp," a challenging, marchlike movement with a snappy motive contrasted with scale passages; "Air," a graceful, contrasting song in a moderate triple meter; and "Hornpipe-Rondo," a lively dance with a returning refrain that keeps the movement bounding vigorously forward.

A work in three brief movements that stands as a fine example of the mid-20th-century compositional style. Advanced tonal idioms and harmonic colors in a very succinct, accessible duo. Prelude, Gavotte and Aria.

Composed for the American Arts Trio in 1960. A compositional and artistic tour de force in four movements: Allegro alla Marcia; Vivace; Lento and Presto.

Traditional instrumentation includes violin, viola and cello. Newly engraved edition of a massive work that helped to establish Walter Hartley as a prominent voice among his 20th-century peers. Allegro Vivace; Adagio espressivo  and Allegro molto.

For three Bb clarinets in three movements:  Allegro non troppo; Andante; Allegro di molto.

Scored for full 13-part brass choir and timpani. Andante-Allegro risoluto; Adagio;  Allegro con brio.

Extremely playable transcription of the bass aria from Handel's masterwork.

Original chorales composed in 1976 for traditional brass quintet.

Composed in 1958. Pastorale and Scherzo. A very accessible work. Duration: 5:00.

This publication features two solo works for the developing clarinetist featuring accessible music with quite different demands on the soloist.  A lively gigue from C.P.E. Bach is presented in contrast with Walter Hartley's own "Two Little Pieces for Clarinet Solo." A nice recital moment or festival choice for a young artist.  

This dazzling solo work was written to display the virtuosic talent of Rich Matteson, perhaps the most uniquely gifted performer on baritone from the 1950s through the 1980s.  Fusing elements of technical mastery and jazz idioms, the work is an absolute tour de force for an accomplished soloist.  Transcribed for solo and piano from the concert band score, this appears for the first time in a stunning edition for use as a recital feature or concert showpiece.  A very accessible concert band accompaniment complements the work and is available on rental.

In five movements. Featured on many state lists. Allegro giocoso; Andante; Scherzando; Lento; Vivacissimo.

The finale of Handel's oratorio recast for trumpet solo. An effective concert closer or worship postlude.